Category Archives: Writing

Book Tours, The Witch Child & Women’s Suffrage – A Wee Update

Happy Tuesday folks! Today I’m bringing you a wee update post – it’s been a busy time here with lots of things on the go. So, here’s a quick run down of what I’ve been up to over the past few weeks, along with a few reminders about what’s coming up:

I’ve been out and about telling everyone about Ethersay… and the response has been wonderful. Thank you to those groups in my home county of West Lothian who have invited me along to talk about and read from my latest novel. For a writer there is nothing better than getting the opportunity to share your work. It’s also great to get to tackle the huge range of  different questions your book prompts from readers – so far there has certainly been no such thing as…

I’ve been working on the third Witches of Pendle installment… more about this soon, but hopefully I’ve found my pace with this book now and hope to have it drafted by the end of the Spring. I won’t lie – it’s been a slow start. After finishing Ethersay I had such a ‘book hangover’ and really struggled to focus my mind on a new project. I’m pleased to report that I’ve finally got into a good rhythm with this piece of work and it’s going really well. This book will be a short novel and will take us back to 1612 and the childhood of Jennet Device/Sellers, the child star witness during the first Pendle Witch Trials. And…that’s all I’m telling you for now! Watch this space.

I’m still inviting submissions for an anthology about Women’s Suffrage… more about this here. A timely reminder about this project perhaps as today marks 100 years since the Representation of the People Act (1918) was passed in the United Kingdom, granting the vote to women aged over 30 who met certain property qualifications. I plan to release an anthology of work on this subject in December 2018, to coincide with the first parliamentary election in which women were able to vote. I am seeking short stories from writers which address the theme of women and the vote. These stories don’t have to be historical, or indeed focused on the suffrage movement in the UK. I am looking for stories from across the globe and across the genres – tell me a contemporary story, a historical one, or indeed a futuristic one. Tell me a dystopian story, write me some sci-fi, or a comedy, a mystery or even a horror. Write me something which crosses the genres – I don’t mind, as long as it relates to the theme of women and the vote. The deadline is 30th April, so if you’d like to submit a piece of work check out the Anthology Submissions page for all the details.

Phew! That doesn’t seem so much, does it?! More updates from me coming very soon.

 

Submissions Invited for Women’s Suffrage Anthology

I’m excited to announce that I am now inviting submissions for a new anthology entitled Words and Deeds: Stories of a Woman’s Right to Vote.

As a writer, creating an anthology of work will be a new experience for me, and I am really looking forward to putting this together. The idea of producing an anthology is a recent one, and basically sprang from a short story I was putting together for submission to a literary magazine. I was writing a story about women’s suffrage, a subject which had been on my mind a lot recently as 2018 marks the centenary of the Representation of the People Act 1918 which granted suffrage in Britain to women over 30 who met certain property qualifications. Whilst it was another ten years until all women got the vote on the same terms as men, 1918 was undoubtedly a watershed moment in British history following half a century of campaigning by suffragists and suffragettes across these isles. Whilst I was writing it occurred to me that I wanted to do something more than write my own story in recognition of this and so the idea of an anthology was born.

All the information you need to submit is available here on my website. If you have a story you would like to tell which relates to women and voting, I’d love to hear from you! The deadline for submissions is 30th April 2018.

Resolutions by any other name…

Happy new year and welcome to my first blog post of 2018!

Today’s post is all about reflections and resolutions. 2017 was a great year for me in terms of writing – I joined a writers’ group, I honed my short story writing skills, and at the end of the year I released my third novel, Ethersay.

I’ve spent the first few days of 2018 thinking hard about what I want to achieve this year. I try not to make resolutions for the new year as such, since I generally find that I’m just setting myself up for a great big fall. However, I do have a list of goals which I am going to aim for this year. So, in no particular priority order:

  1. Finish the third book in my Witches of Pendle series. I’ve had some draft chapters hanging around for a little while now, but then Ethersay took over and I just had to go with it. But now is the time to finish the trilogy. So, historical fiction fans, hopefully you won’t have too long to wait.
  2. Get working on my next contemporary novel. The feedback I’ve had on Ethersay has really spurred me on to dip my toe into contemporary writing for a second time. I spent my Christmas break in perfect rural, rustic surroundings and I found this really inspiring; so inspiring, in fact, that I have a new story outline scribbled down. Watch this space…
  3. Start researching for my next historical novel. Currently I have the tiniest seed of an idea for a future historical piece. Well, actually, I have a few tiny seeds. So this year I aim to decide which one of these I want to start working on and then, I need to start doing some research. And who knows, if my chosen idea works, it might grow into a new historical novel!
  4. Get some short stories into print/online publications. This goal really alluded me last year. I wrote, and wrote, and wrote, and entered competition after competition but unfortunately to no avail. This has taught me that the market for competitions and publication in magazines/literary reviews is extremely competitive. But I believe in my work so I’m going to keep going and, what’s more, I’m going to diversify and broaden my options; for example, looking more at online platforms and blogspots as well as the well-established and traditional choices for making submissions.
  5. Keep talking about my work. I’m the worst for being coy when it comes to this, but I know that it really is a must. I am a self-published author; I have no marketing department behind me and no enormous advertising budget. But I do have my work and if I’ve learned anything on this journey, it’s that the only way for people to know about your books is for you to talk about them! During 2018 I’ll be on the lookout for more opportunities to do just that, as well as keeping my Twitter, Facebook and this website up to date.

Phew, so that’s it, my 2018 goals! I hope you’ll all stick around for the ride in 2018 and hopefully by the time 2019 rolls around you will have at least one more book from me to get stuck into.

Introducing the Ethersay Launch Video!

It’s nearly Christmas! Who’s excited?!! I know everyone in the King household is feeling very festive – the gifts are wrapped, the mulled wine is ready, the kids are hyper with excitement. All we need now is some snow! Not too much, though, just a little bit will do!

For those who haven’t seen it, the video recordings of the launch event for Ethersay, which was held earlier in December, are now online. Due to the length of the recordings there’s two parts. So, click on each link below to see me answering questions from the host for the event, Fiona Hyslop MSP, and the audience on Ethersay, writing, influences and inspiration and to hear me read a little from the book.

I hope you enjoy watching and don’t forget, if you’re looking for something to read over the holidays, Ethersay is available now from Amazon / iTunes / Barnes & Noble / Smashwords / Kobo

Merry Christmas!

Where did the last two weeks just go?

Happy Friday, folks! So, two realisations struck me this morning. The first was that it is only ten days until Christmas (I know, how on earth did that come around again so quick?!!). The other was that  it has already been two weeks since Ethersay was released. I just can’t believe where the time has gone, which I suppose is what happens when you’re busy. And no doubt about it, these last two weeks have been an absolute whirlwind, between the launch, doing online events, and taking bookings for future events, I’ve barely had chance to draw breath!

So, today’s post is all about taking stock and saying thank you. Thank you to everyone who has bought Ethersay in the last two weeks. Thank you to those who managed to get along to the launch or who participated in my online party or one of the online events which I guest-hosted. Thank you to those who have liked and shared my posts about Ethersay on social media. Thank you to all those who have been in touch with me to tell me how much you enjoyed the book. Thank you to those who have left a review on Amazon, Goodreads or somewhere else on the internet. And thank you to those who have told a friend about Ethersay, or who have bought it for a friend or loved one as a Christmas gift.

All the advertising in the world does not come anywhere near the power of word of mouth and personal recommendation. This is true for all writers but especially important, I think, for indie authors – without a vast marketing machine at our fingertips we are so, so reliant on people talking about our books. So, once again, thank you.

I have been absolutely blown away by the great reception that Ethersay has received, and really delighted by some of the reviews readers have left. Here are a few quotes from what readers have said on Amazon UK and US:

“A book you can lose yourself in on a winter day…I have honestly never read anything like it.”

“I was hooked from the start. Strongly recommend.”

“Exciting and well-paced.”

“The way King infused Scotland’s political history into the story was brilliant, and all the mystery, suspense, and drama kept me intrigued and clutching my chest at times.”

As a writer, there is no better reward than hearing that someone has enjoyed your book. So, I’m going to say it again, thank you!

 

The Making of Ethersay: the Trailer

Happy Wednesday, folks! It’s cold and wintery here in Scotland, the days are getting shorter, and Christmas isn’t quite near enough to get excited about it just yet. So, if you’re like me, you might be in need of a bit of cheering up, right? Well, for a midweek treat, I thought I’d share a bit of trailer-related news with you.

Last week I spend a couple of days on location in Aberdour, Scotland, filming the trailer for Ethersay. The trailer is being created by Stewart Kerr Brown of The Imagination Engine and stars West Lothian based actor Jodi Findlay. This was the first time I’d ever been involved in film-making and I had so much fun! Being a writer can, at times, be a solitary business and it was refreshing and inspiring to collaborate on a creative project with such wonderful, talented people.

The trailer will be premiered at the Paperback Launch Event on 3rd December and will be posted online just shortly thereafter, so watch this space, but in the meantime here are a few photos taken during the making of the Ethersay trailer:

Hopefully these photos have intrigued you. I’m very excited about the trailer – can’t wait for the big reveal!

Ethersay Cover Reveal & Release Date

I’m really pleased to announce the release of my third novel, Ethersay, on 30th November 2017. I’m also delighted to reveal the book’s cover in this fantastic teaser trailer created by the incredibly talented Stewart Kerr Brown of The Imagination Engine, with voice-over provided by the fantastic Jodi Findlay:

Frankly, I am over the moon with this trailer, with the cover, and with how the book has turned out. This novel is quite a change of direction for me – my first contemporary story, my first dual narrative, and my first novel which combines politics with a healthy dose of suspense!

In the coming weeks I will be releasing more intro material, including a full length book trailer. But for now, here is the cover image along with the book’s blurb:

Ethersay CoverEthersay
Release date: 30th November 2017

“The day after the referendum, my life fell apart…”

The day after the Scottish independence referendum in 2014, Glaswegian Yes activist Rebecca Owen decides to run away. After being involved in a car accident she is knocked unconscious and when she wakes, she finds herself inexplicably marooned on an isolated Scottish island, Ethersay.

Suffering from memory loss, Rebecca finds herself drawn into the island’s mysteries, particularly those surrounding the strange disappearance of a young woman, Delilah Berry, whose fate seems to be inextricably intertwined with her own. As Rebecca draws closer to the truth about Delilah, she is forced to confront what happened to her in Glasgow, and everything she lost, with devastating consequences…

A stirring tale of passion, loss and betrayal, Ethersay is a novel about the search for truth, but also the pain of remembering.

Like the sound of Ethersay? Add it to your Goodreads reading list today. 

The Witches of Pendle… and Zombies

Today I am pleased to bring you a brand new short story. The story is based on my second Witches of Pendle novel, A Woman Named Sellers, and is a bit of Halloween fun! In this piece we meet the novel’s protagonist Jennet Sellers, alone in her cottage, and surrounded by bloodthirsty zombies as they scratch and bang at her door…

Without any further ado, this is The Witches of Pendle… And Zombies 

The sound began as it always did: quietly, a tentative scraping noise creeping into the night-time silence. Jennet sat alone in the dark, listening, her heart pounding in time with the rhythm of the fingernails as they were dragged again and again over the coarse wooden door. Putrid bile rose from her gut, bubbling upwards as the sound came again and again, louder and louder, building to a menacing crescendo.

Scratch, scratch, scratch.

Fear overwhelmed her. She wished that she had the nerve to light a candle. She wished that the noise would stop. More than anything, she wished that William was with her. Like everyone else he had disappeared, leaving her all alone in their humble barn, forced to fend for herself. She tried not to think about what might have happened to him; she tried not to imagine those blade-like fingernails wrapped around his neck. She felt certain that he was dead, that she would never see him again. Despite her terror, she felt the warmth of tears pricking in the corners of her eyes.

Scratch, scratch, scratch.

“Grace, go away!” she cried out, desperation ringing out on the quavering notes of her voice.

Scratch, scratch, scratch.

Thud.

Jennet jolted at the sudden bang, biting her lip hard to prevent herself from screaming.

“Stop it, Grace. Just go away!” she cried, burying her head in her hands.

It was hopeless. She knew it wasn’t Grace, not really. She had come to realise that whatever the creature was that stood at her door, it hadn’t been Grace for a long time.

Faces appeared like shadows at the windows. So many awful faces, their features contorted, their expressions rabid, their pallor ghost-white in the moonlight. Jennet swallowed hard. Ghosts – yes, that was exactly what they were. They were ghosts of her past. She forced herself to look at them, to recognise them. One by one, she breathed their names into the darkness. Grace Lund. Alice Holgate. Jennet Preston. James Device. Alison Device. Grand-mama. Mama…

They were no longer themselves, but she had known them once. She had known them and she had wronged them. She had betrayed them, she had abandoned them, she had caused them pain.

She had killed them.

Jennet swallowed hard. She had spent so many years trying to run from her past. So many years hiding, so many years denying who she was. But those faces at the window knew the truth. They knew, and now they were here for their revenge.

Faces became fists, a frenzied blur of hands hammering on the windows, the door, the walls. Jennet watched in horror as the wooden door shook violently, its rickety hinges straining with the effort of keeping those abominations outside. It wouldn’t be long until her defences were breached. It wouldn’t be long until they were inside.

It wouldn’t be long until they had her in their grasp.

Unable to bear it any longer Jennet screwed up her eyes, shutting them tightly. She clasped her hands together in prayer, trying to stiffen her resolve, trying to suppress her sheer terror at her impending doom. There was no escape from this. Night after night these creatures had come for her; they had taken the man she loved, they had trapped her and now there was no choice but to submit to her fate.

“Our Father, which art in Heaven…”

Thud. Thud. Thud.

“…hallowed be Thy name…”

Thud. Thud. Thud.

“…Thy Kingdom come…”

Thud. Thud. Thud.

“…Thy will be done…”

The cry of surrendering hinges forced Jennet’s eyes to burst open. Instinctively she fell backwards as a creature lunged for her. It looked like Mama – the same red hair, the same distinctive green eyes set unevenly on its thin face. But she knew it wasn’t Mama. It couldn’t be; Mama had died a long time ago, and it had been all Jennet’s fault. The creature grunted, its tongue lolling thirstily, blood pouring from its mouth, its nose, its ears. Jennet shrieked as it grabbed her, baring a set of wolf’s teeth, as sharp as knives, ready to sink into her flesh. She closed her eyes again. This was it, she told herself. This was the end. It would all be over soon.

The sound of a swinging blade swept past her ears, followed by a pained cry and a dull thump on the ground. The sound repeated again and again, all around her, echoing like music in the darkness. And then, silence. It took Jennet a moment to realise that the creature had relinquished its grip upon her, that all the banging and scratching had ceased. Even when she did realise, she didn’t believe it. This was her mind playing tricks on her, she told herself. Surely, she was dying. Surely, the creatures had won. In the darkness and the silence, she sat and waited, not daring to open her eyes.

“Jennet?” A familiar voice called to her. A voice she thought she would never hear again.

Jennet held her breath. It couldn’t be him. He was dead. She knew that he was dead.

“Jennet? It’s me. Open your eyes.”

He lit a candle and held it up to her face. “See? It’s me. It’s all over now.”

Her eyes flickered open, her vision blurry as it struggled to adapt to the candle’s glow.

“William? Is it really you? You came to get me?”

He smiled, that handsome, familiar grin lingering upon his lips. “Of course,” he replied. “I promised that I’d never leave you.” He shuddered, surveying the gruesome scene around them. “In the name of our Lord, what were those things?”

“My past, I believe,” Jennet murmured her reply.

William frowned. “Well they’re gone now.” He held out his hand, helping her to her feet. “Come on, let’s go.”

As they headed out in the dark night, Jennet glanced over her shoulder, casting her eyes over those shadowy ghosts one last time.

“The past is never gone,” she whispered to herself. “Just buried, that’s all.”


Don’t forget The Gisburn Witch and A Woman Named Sellers are available from Amazon  and most other ebook retailers and are £1.99 until the end of October.

Halloween Chills and Magic Circles

At the beginning of October, I announced that my Witches of Pendle series is half price on ebook for the whole month of Halloween!

To continue the Halloween celebrations, today I’m pleased to bring you an extract from the first book in the series, The Gisburn Witch. In this chapter, Jennet and her new friends Elizabeth Device and Old Demdike go in search of a magic circle, said to have been used by a powerful cunning man. The women find themselves in woodland as the evening draws in and darkness and strange spirits abound…


Southern Pendle Forest, Near Huntroyde Hall

April 1597

“Are you sure we should be looking for this?” Jennet asked. Her earlier excitement had been replaced by nerves, and she kept glancing over her shoulder anxiously. The evening seemed unusually dark for the time of year, even by the standards of the Pendle countryside where day could often become night with remarkable rapidity. The weather was also beginning to turn, and Jennet noted the force with which the wind was toying with the tall trees overhead, teasing apart the delicate branches so that they appeared to swirl against the backdrop of the fading light. Although much of what was known as Pendle Forest had long ceased to be covered with the thick foliage to which it owed its name, this particular area did contain some small areas of woodland, and it was one of these little woods that Jennet and her two companions now sought.

“Mother is determined to find his circle,” replied Elizabeth. “Anyway, we’ve come too far to turn back now. Look, over there you can see the light from Huntroyde. We must be close.”

Jennet nodded. Elizabeth was right: ever since Edmund Hartley’s execution a month ago, the talk of the forest had been filled with tales of the bewitching and the magical, and through these tales Elizabeth’s mother had heard about a magical circle used by Edmund to ward off those who would do the devil’s work. Old Demdike had not been able to curb her curiosity and according to Elizabeth she had talked of little else these past weeks. With good reason, Jennet had thought, when Demdike had enthusiastically recounted the full tale to her during their journey. The recent events at Huntroyde Hall were nothing short of fascinating.

Two years earlier, a cunning man of high repute, Edmund Hartley, had been brought to Huntroyde to cure the two Starkie children, John and Anne, of the bewitchment which had taken hold of them in the form of seizures. After administering certain charms and remedies, Edmund appeared to have been successful, and the children were cured until about six months ago when their symptoms returned. In making more strenuous attempts to cure the children permanently, Edmund had created a circle so powerful that he could use it to command spirits to help him identify and defeat the witch who was cursing the children. The circle had ultimately proved to be his undoing, as he involved his employer, Master Nicholas Starkie, in the ritual and in the end, when Starkie decided that it was Edmund who was bewitching his children, he brought the story of the circle as evidence against him. Invocation of the spirits was, of course, punishable by death and Edmund was sent to the gallows. However, none of this had seemed to deter Old Demdike’s enthusiasm and she was determined to find the circle. Jennet was not certain of the exact purpose of her quest, although she suspected that the aged cunning woman hoped that, through mere contact with this magical artefact, she might emulate a practice which had previously been beyond her powers.

“Ah!” exclaimed a voice. “Here it is!”

Jennet peered in front of her, forcing her eyes to focus in the dim light. In the dusk she could just see a circle carved in the dirt and not much more. She could see Demdike slowly and deliberately bend down and trace her fingers over the ground. The old lady’s eyesight really was poor and Jennet reflected that it was nothing short of miraculous that she had managed to locate the circle this evening, which really showed her determination to find it.

“A circle made up of four parts, just as I thought.” Demdike spoke affirmatively.

“Should you touch the circle, Mother?” asked Elizabeth. Jennet could sense her growing reservations about their expedition.

“Perhaps not lass, but its magic is spent, I am sure of that.”

The conversation was interrupted by the sudden and fierce howling of the wind and the three women shivered with the realisation of the growing cold.

“Let’s return home,” said Elizabeth. “I feel a chill in the air, and we don’t want to get ill. Besides, I left John with the children and he will be wondering where I am by now. Have you seen all you need to see, Mother?”

In the dark Jennet sensed the old lady nod in agreement and the women turned to follow their path back home. As they did so, they heard the sharp and urgent sound of twigs breaking underfoot. Fearing their discovery on Starkie land, Jennet tried to stifle a gasp as she turned to see who was there. To her surprise, she could not decipher any human shadows in front of her. Instead, in front of the circle, where they had been standing moments earlier, were two eyes, glowing green and staring intently at her. By now the light had almost faded from existence, but Jennet could just about make out four legs and a creature which was just about the size of a dog. She breathed a sigh of relief.

“It’s just a dog,” Jennet informed the others. “It’s nothing to worry about.”

“A black dog,” replied Demdike.

 

The three women returned to Malkin Tower late that evening, much later than Jennet had anticipated; in her ignorance of Pendle’s exact geography she had not realised just how far away Huntroyde Hall would be from her new friends’ home. At this late hour, it was impossible to return to Gisburn tonight, in the dark and unaccompanied. Her companions realised this and upon arriving back at Malkin, they offered her some blankets so that she might stay the night. The three children and John, Elizabeth’s husband, were sleeping and for the first time Jennet was able to appreciate the peace and calm of this house, alone and isolated as it was on the Blacko hillside.

Jennet was tired and weary from another long walk, yet also elated, fuelled by the adrenaline of their venture. Her two companions had talked of nothing but the strange black dog they encountered at Edmund Hartley’s circle all the way home. It had just looked like an ordinary dog to Jennet, but Old Demdike seemed quite fixated upon it, as though it held some significance to the remains of the ritual she had examined, as though it had held the key to what had happened to Edmund Hartley. The more Jennet thought about it, the more it unnerved her, and the less inclined she felt to ask about it, even now in the safety of Malkin Tower.

“Won’t your husband worry?” asked Elizabeth, interrupting Jennet’s thoughts and clearly concerned for her new friend.

“Probably,” replied Jennet. “But he would be more concerned if he discovered I walked home alone, in the dark. If you don’t mind the best thing for me to do is to stay here for tonight.”

“Of course we don’t mind,” replied Elizabeth, kindly.

Both women glanced at Old Demdike, who was muttering to herself about the evening’s events.

“What is it, Mother?” asked Elizabeth.

The old woman appeared to be wild with her ideas. Jennet was momentarily concerned by her incessant mumbling, as though she was suffering a sort of madness. Hearing her daughter address her, Old Demdike looked up and remembering they had company, she composed herself.

“The sight of that black dog is troubling my mind,” she replied, with a hint of weariness. Clearly the afternoon’s events were beginning to tell on her physical and mental state.

“But surely, it was just a black dog? An animal from the nearby estate perhaps and it had simply lost its way and found itself in the woods?” asked Jennet.

Demdike looked at Jennet and released a sharp intake of breath, appearing to physically deflate as she did so.

“It’ll be difficult for you to understand, Jennet, I know. But you have to believe me when I tell you that it was not a mere black dog that startled us all tonight.” Old Demdike lowered her voice to a whisper. “Some say that the Starkie children are troubled still, even now that Edmund Hartley lies cold in the ground and despite the efforts of the two preachers who have been brought to Huntroyde to cast out their demons. I have heard that they are menaced by animal spirits and mainly by a black dog.”

Jennet gasped. “So it is true, then? Edmund Hartley was a witch? He brought the devil to Huntroyde to torment the children after being employed to help them?”

“Many folk around these parts think so, no doubt the Starkies do too,” replied Demdike. “I have my own theory: the black dog is one of the animal spirits that Edmund Hartley invoked to counter the magic of the witch who was attacking the Starkie children. However, because this spirit was attached to Edmund Hartley, because Hartley was his master and Hartley is now dead, the spirit remains here still, haunting the lives of those responsible for his master’s death.”

Jennet was incredulous. “And we saw it tonight?”

Demdike laughed. “Fear not, Jennet. The spirit has no business with us, you can sleep soundly.” The old woman yawned. “Speaking of which, I am exhausted and you must be too. We should all get some rest.”

Demdike turned to head towards her bed then quickly turned back to Jennet as though she had forgotten something.

“Oh, Jennet?” she said.

“Yes?” replied Jennet, half-yawning herself.

“I have something to help you with your troubles,” said Demdike, giving Jennet a meaningful stare.

The old woman handed Jennet a piece of cloth, inside which something was wrapped. Jennet gasped as she opened the piece of cloth, for inside was a small object, modelled in clay and shaped like a man’s penis.

“What am I to do with this?” Jennet asked, barely able to whisper.

“Place it under your pillow and sleep with it there every night. Once you are with child, leave it under your pillow until after the child is born. I gathered from your words to my daughter earlier that you have suffered the loss of many children. This will help you, as long as you don’t remove it until after you are safely delivered from child-bed,” Demdike advised in a very matter-of-fact manner, as though she might be a physician offering a remedy to a patient.

Jennet nodded in response. It was the strangest-looking item and indeed the strangest idea that she had ever heard. She could only imagine what William would say when he saw it. She couldn’t imagine what he would say if it actually worked.

“Thank you, this is very kind of you,” she replied, with genuine gratitude.

“It’s no trouble, Jennet,” Demdike said kindly. “You came with us tonight, hardly knowing either of us, and facing considerable danger, yet you came nonetheless. I doubt my daughter would ever have agreed to come with me if it hadn’t been for you. This is my way of thanking you.”

Demdike glanced at Elizabeth, who had been listening quietly and who smiled in agreement. Jennet nodded again. Without a further word between them, the three women retired to their beds, exhausted by the day’s events. That night, Jennet dreamt of the child she wanted, the child she had dreamt of many times before, the daughter with the brown curls in her hair, the freckles on her nose, a nose which wrinkled when she laughed. This time, however, the dream seemed different: they were running through the grounds of Westby Hall, laughing, and the girl was so vivid that Jennet could almost touch her. When she awoke, instead of sobbing as she normally did, Jennet smiled. This time she felt sure that the girl would be born, and that she would live.

The Gisburn Witch and A Woman Named Sellers are available from Amazon  and most other ebook retailers and are £1.99 until the end of October.

The Art of Patience

The hardest thing about writing is waiting. At least, that’s the conclusion I came to earlier this week.

I was standing at the sink, washing dishes to the umpteenth time that day and allowing my mind to wander over my recent writing endeavours. Since I returned from my summer holidays, I have submitted queries for my forthcoming novel to countless agents and publishers (okay, I do have a count of them in a spreadsheet somewhere, but the number doesn’t immediately spring to mind). I have also submitted short stories for quite a few competitions, and a number of anthologies. In all honestly, I haven’t really stopped – I even penned an entry for the Costa Short Story Award while on holiday, literally using a pencil and a notepad, since I was stateside sans laptop. So old-school.

I wrote and wrote, and I submitted and submitted and… well, I’m still writing. And waiting. And waiting. And…waiting.

The rejections are one thing, and there have been a few of those, but the silence is definitely the hardest part. Silence allows space for questions – what do they think of my work? What if they hated it? Is it already in the bin? Will they ever reply? How long should I wait?

Argh – questions.

So, by the end of the week I had decided to take matters into my own hands. I would use this waiting time productively. I would keep writing, of course, but I would identify other things I could be doing as well, and I would get on and do them. For example, if my next novel is not picked up by an agent/publisher then I will be self-publishing it this autumn. I can be ready for that – I can have the blurb, cover and graphics all done, I can prepare the promotional material I want to use, I can plan the launch. If my book gets picked up – great. If not, I’m organised.

Hopefully in the coming weeks I’ll be able to announce that I’ve been successful in an anthology or competition, or that my book has been signed up. But if not, my third novel is coming soon, nonetheless.

So watch this space for Ethersay-related announcements.