The Royal Resident of Regent Terrace

Happy new year! I hope you had an enjoyable festive season. Like probably quite a lot of people, I spent some of the holidays binge-watching TV shows, including the new BBC series, Marie Antoinette.

Whenever I watch historical dramas, I find myself googling characters or plot lines; sometimes to find out more, sometimes to establish what is based on fact and what is a pure fiction. I did this frequently while watching Marie Antoinette, and it was during one of these many searches that I came across a really interesting piece of information which again connects the French royal family to Edinburgh.

Portrait of Marie Antoinette by Elisabeth Vigée-Lebrun, 1783
Portrait of Marie Antoinette by Elisabeth Vigée-Lebrun, 1783, from Wikimedia Commons.

As I discussed in last September’s blog post, Holyroodhouse provided sanctuary to Louis XVI’s brother, the Comte D’Artois (and future Charles X) from 1796 and into the early years of the nineteenth century. Thirty years later, 21 Regent Terrace in Edinburgh’s New Town hosted Marie-Thérèse Charlotte, Duchess of Angoulême, the eldest and by that time only surviving child of King Louis XVI and his queen, Marie Antoinette.

Queen Marie Antoinette of France and her husband King Louis XVI of France with their first child Princess Marie Therese Charlotte of France, 1778.
Queen Marie Antoinette of France and her husband King Louis XVI of France with their first child Princess Marie Therese Charlotte of France, 1778. Artist unknown, from Wikimedia Commons.

When Marie-Thérèse arrived in Edinburgh in 1830, she had gone into exile for a second and final time in a life which was undoubtedly marked by danger and personal tragedy. Born in 1778, Marie-Thérèse was still a child when the French Revolution began. In the 1790s she endured a lengthy and distressing captivity in the Temple Tower in Paris, during which she suffered the loss of her parents and younger brother. In 1796 she was allowed to leave France for Austria, where she was reunited with other exiled members of the French royal family. It was during this time that she married her cousin, Louis-Antoine, the Duke of Angoulême, before moving to England.

Portrait of  Marie-Thérèse Charlotte, Duchess of Angoulême, 1816, by Antoine-Jean Gros.
Portrait of Marie-Thérèse Charlotte, Duchess of Angoulême, 1816, by Antoine-Jean Gros. From Wikimedia Commons.

In 1814, the abdication of Napoleon and the restoration of the Bourbon monarchy meant that Marie-Thérèse was able to return to France, and in 1824 she became the French Dauphine following the death of Louis XVIII and the accession of her father-in-law, the Comte D’Artois, now Charles X. However, Marie-Thérèse would never be Queen of France. In 1830 revolution arrived again, sending Marie-Thérèse, her husband and other members of the Bourbon royal family once more into exile. This time, their destination was Edinburgh.

While the deposed King Charles X made his home in Holyroodhouse for a second time, Marie-Thérèse settled at 21 Regent Terrace near to Calton Hill. At this time, the houses on this street were brand new, having been designed by architect William Playfair in the 1820s. Interestingly, when 21 (now 22) Regent Terrace went up for sale twenty years ago, it was described in an article by The Scotsman newspaper as being largely unchanged since the nineteenth century.

21 (now 22) Regent Terrace, Edinburgh, in 2014.
21 (now 22) Regent Terrace, Edinburgh, in 2014. By Stephen C Dickson. From Wikimedia Commons

Marie-Thérèse lived at 21 Regent Terrace until 1833 before leaving Scotland for Prague and spending the rest of her life in the Austrian Empire. She died in 1851, having lived long enough to see France become a republic for a second time in 1848.

Sources/Further Reading:

  1. Marie-Thérèse, Duchess of Angoulême – Wikipedia
  2. Marie-Thérèse of France, Duchess of Angoulême | Unofficial Royalty
  3. Madame Royale | Palace of Versailles (
  4. Regent Terrace – Wikipedia
  5. The New Town’s later extensions | Edinburgh World Heritage (
  6. For sale: tragic royal’s bolthole | The Scotsman

Holyroodhouse – A sanctuary for an exiled Bourbon

It has been several months since I last updated this blog – it actually came as a shock to me to realise that I have not posted on here since May! In the intervening months since my last post, I have been enjoying something of a break from writing, spending time with my family and going on summer holiday. However, summer is over and I’ve started work on my second Ailsa Rose book once again.

Today I wanted to share with you a fascinating anecdote I came across when researching this second novel, which is largely set in the Canongate/Holyrood area of Edinburgh. This tale concerns Holyroodhouse, the palace which sits at the foot of the Canongate, and is the official residence of the monarch in Scotland. In its time, the palace has hosted many royal occupants, but did you know that in the 1790s it housed French royalty?

Holyrood House and Chapel from Calton Hill, engraving, 1842
Holyrood House and Chapel from Calton Hill, engraving, 1842. From Wikimedia Commons.

In 1796, Holyroodhouse became the home of the exiled Charles Philippe, the Comte D’artois and his mistress, Louise de Polastron. The comte was the brother of King Louis XVI, and the future Charles X, reigning from 1824 to 1830 after the restoration of the Bourbon dynasty in 1814/1815. He had fled France in the wake of the French Revolution, eventually coming to Edinburgh.

The Comte D'Artois by Henri Pierre Danloux, 1798
The Comte D’Artois by Henri Pierre Danloux, 1798. From Wikimedia Commons.

The accommodation which greeted the comte upon his arrival, however, was likely far from the grand and sumptuous palace we might envisage. In her book Holyrood and Canongate: A Thousand Year History, E Patricia Dennison tells us that the Hanoverian kings had allowed Holyroodhouse to fall into decay, and that during the eighteenth century, its neglect had led it to become a crumbling building which at times had hosted an assortment of debtors and squatters for tenants.1 Not exactly fit for royalty, then, although in some ways perhaps suitable. In her 1992 article, Furniture for the Comte D’Artois at Holyrood, 1796, Margaret Swain informs us that as the palace was built on the site of an ancient monastery, it was still considered a debtors’ sanctuary and the comte was on the run from his creditors.2 Swain goes on to tell us that refurbishment of the comte’s apartments took four months, during which time the comte and his party had to live in the rooms of Lord Adam Gordon, the governor of Edinburgh Castle.3

Louise de Polastron, mistress of the Comte D'Artois, by Alexander Kucharsky
Louise de Polastron, mistress of the Comte D’Artois, by Alexander Kucharsky. From Wikimedia Commons.

The comte and his mistress seem to have remained at Holyroodhouse for several years, although by the early 1800s they had relocated to London, where Louise de Polastron died from tuberculosis in 1804. In 1830, the palace played host to Charles Philippe for a final time, following his abdication from the French throne. As Swain tells us, the furniture from his previous stay had to be ‘hastily reassembled’.4 He stayed for a couple of years, before being granted sanctuary by the Habsburg Emperor and living in the Austrian Empire for the remainder of his days.

As those of you who have read The Wax Artist will know, the protagonist Ailsa Rose is a French émigré. As this is a key part of her background, I just love coming across French connections during my research, and this one really caught my imagination. I wonder what Ailsa Rose would have thought about the king’s brother living just a stone’s throw from her humble room in the Canongate! It is fun to consider it.

The Wax Artist is available to read in e-book and paperback now. Find out more here.


  1. E Patricia Dennison, Holyrood and Canongate: A Thousand Year History, (Edinburgh: Birlinn, 2005), pp. 111-112
  2. Margaret Swain, “Furniture for the Comte D’Artois at Holyrood, 1796”, Furniture History, (1992), p. 98
  3. Margaret Swain, op cit, p. 98
  4. Margaret Swain, op cit, p. 99

The Wax Artist Sale & Preview

The Wax Artist is currently on sale for £1.99 / $2.99 for Kindle. So, if you haven’t read it yet and quite fancy a mystery set in Georgian Edinburgh, now might be a good time to get your e-copy! Head here to buy.

As it’s on sale, I thought now was a good time to publish the first chapter of the book on my blog! Intrigued? Then have a read below.

Chapter One

Spring, 1803.

I’d watched him die on the North Bridge scores of times. It never got any easier to witness it.

Today I prayed I wouldn’t have to. I had an appointment to keep; a duty, however unwanted, to perform, and I could not afford to be delayed. I could not keep those who had summoned me waiting. Of course, the spirits had other ideas. They always did. Halfway across the bridge, I felt time slip back a little, sensed the lost stones grow up beneath my feet. Shuddered along with their tremors, and braced myself for their fall. I saw him then, the lithe young man with a book in his hand, standing where he always was against the low stone wall. He turned to look at me, smiling and tipping his hat as though it was me that he’d been waiting for. Then he stumbled, the ground beneath him shaking with an uncommon violence as the ghost of an abutment gave way. My heart swelled with the urge to cry out, then broke with the knowledge that it was futile.

This happened long ago, I reminded myself. There is nothing you can do about it now.

I turned away, not wishing to look as the crumbling stones finally betrayed him, gifting him to the earth below. Under my feet, the ground stilled as time slid again; forwards now, the past surrendering to the present, the old acquiescing to the new. When I looked back, the bridge had healed, and the man was gone.

Gone, at least, until the next time I saw him. I recalled his small nod, his smile, and wondered who he’d been waiting for. Wondered if they were the reason why he returned to that same spot, time after time. Wondered where he was now. Roaming the valley perhaps, with all those other restless souls? I gazed over the wall, regarding the spirits of Edinburgh’s drowned and dispossessed as they wandered the barren land which lay beyond the markets sheltering in the shadow of the bridge’s great arches. I pitied them the loss of their watery grave. There had been a loch down there once, known as the Nor Loch, but it had been shrunk long ago by draining. All that remained of it was now obscured from view by the earthen mound which grew bigger each year, fed by the builders’ waste of the New Town.

The old gave way to the new; it was how it was meant to be. But that wasn’t to say that the past didn’t mourn its losses.

A sharp gust of wind brought me back to the present, and I found myself reaching up to shield my bonnet from its grasp. My thoughts returned to my appointment, and my earlier urgency gripped me once more. The dead might have all eternity to rue their lot, but I had only a few minutes to get to Hill Street.

I hurried across the bridge, glad to leave its haunting sights behind me, and made my way towards George Street, the great wide boulevard which ran through the centre of the New Town. I didn’t come here often, but I never found it difficult to negotiate my way around. I was used to navigating the old part of the city, its webs of wynds and closes piled high by the centuries. This place was the work of mere decades, built under a regimen of order and symmetry to tempt the city’s wealthiest inhabitants away from their chaotic, antiquated dwellings. I found its vistas unappealing, but not confusing.

I rounded the corner on to Frederick Street and stopped for a moment, feeling out of breath. Immediately I noticed the quiet; this side of town might always be busy with Edinburgh’s well-to-dos, but it was peaceful to me. It was still new enough that it was mostly only the living who walked its immaculate streets. I breathed deeply, noting rather begrudgingly that its air smelt better, too. I took the final steps of my journey at a steadier pace, conscious of the company I was about to keep. It was bad enough that I was here, dressed in my best but still not quite passing muster, my dress well-worn, the soles of my shoes thick with Canongate filth; I didn’t need to appear flustered as well. I needed to seem composed, refined. I needed to be all those things I used to be. I caught sight of my reflection in a window, sighing my disapproval at my flushed cheeks and the frizz of red-brown hair escaping my bonnet. I thought once more about those poor souls roaming that desolate valley between the towns, utterly out of place and time. For a moment I understood how they must feel.

I found my destination with ease, about halfway down Hill Street. The house was just as Jane had described it: identical to all the adjoining houses, fashioned in a grey stone and punctuated by neat lines of sash windows. Elegant, Jane had called it, when she’d brought the invitation to me. I hadn’t commented; I’d been too absorbed in reading the little card’s details.

Mrs Charlotte Andrews requests the pleasure of your company… Thursday next… two o’ clock…

They want you to perform a reading, Jane had explained, but that detail had only perturbed me more. Why were they seeking such a service? And why had Jane been foolhardy enough to mention my name?

I made my way along the lane which ran behind Hill Street, where I assumed I would find the servants’ entrance to the house. Although I had an invitation to visit, I didn’t believe that invitation extended to the likes of me wandering through the family’s front door. I knocked briskly on what I hoped was the correct door, and after a few moments Jane answered. She looked different in her maid’s attire; younger than her twenty-five years, with a red glow in her cheeks and sweat on her brow which hinted at the relentless nature of the work. She liked it here, she’d once told me. It reminded her of growing up in the border country. Sometimes, at night, she could even hear corncrakes calling out from the surrounding fields, upon which streets had not yet been built.

‘I’m glad to see you, Miss Rose,’ Jane said, beckoning me to come inside. ‘The family are expecting you. They will receive you in the parlour.’

I nodded and smiled, partly in agreement and partly out of amusement at her formality. It was not really so long ago that we worked together in the tavern.

‘How are you, Jane? We didn’t get much chance to speak when you called the other day.’

‘No – sorry, Ailsa. I had to go to market, and I was in an awful rush to get back to help the Misses Andrews dress for dinner. There aren’t many of us here, so I must help with everything,’ she said, lowering her voice.

‘But you are well? Still happy?’

Jane nodded. ‘I don’t miss tavern work, if that’s what you mean. Come on, I’d better take you up and introduce you. It is after two now and you shouldn’t keep them waiting, and the mistress will scold me if I’m caught blethering downstairs. Although, perhaps you’d best take those shoes off first. I think they’re beyond even the boot-scraper’s help,’ she added, with a wary glance at my feet.

I did as I was bid, then followed Jane up the stairs and into the parlour, a well-appointed room at the rear of the house, fashioned in a pleasing pale green. The colour reminded me of my home in Paris, and before I could prevent it, its many hues flashed before my eyes. Greens, yellows, reds. A touch of blue along the staircase which led to our apartment. I pushed the thought from my mind, fixing a smile on my face and gave a polite bow as Jane announced my arrival to the family, who were enjoying tea around a fine mahogany table in the centre of the room. Four intrigued faces turned to examine me; a woman in her middle years, who I presumed to be Mrs Andrews, two younger women who were likely the Misses Andrews, and a fair-haired man of whom I knew nothing at all. Their interrogative stares made me conscious again of my faded dress and stockinged feet. I’d had finer clothes back in Paris, but those were gone now too.  

The older woman spoke first. ‘Ah, Miss Rose. Very pleased to make your acquaintance. Please, do sit down. Jane, bring up a fresh tea set, with another cup for Miss Rose.’ Her voice was soft but commanding, its notes surprising to my ear. Not Scottish, I thought. English. She smiled slightly at me; if she was irritated by my lateness, she didn’t show it.

Jane left promptly with her orders, cutting me adrift as I fumbled with a heavy wooden chair. In the end the man rose from his seat to assist me, prompting a stifled giggle from one of the young ladies. Her mother shot her a stern look.

‘Miss Rose, allow me to introduce Mr Henry Turner, and my daughters, Miss Clara and Miss Grace. Thank you for coming to attend upon us this afternoon. It is a fine day, I see. I hope your journey across town was not too arduous.’

I thought briefly about that young man, about how this time I couldn’t bear to watch him fall. Arduous, indeed.

‘Not at all, Mrs Andrews. There was a little wind on the bridge, but then there is always a wind blowing between the towns.’

My remark prompted more laughter, this time from both sisters. They were strikingly different to look at; one shared her mother’s slender, dark features, with near-black hair and deep brown eyes, whilst the other was fair, blue-eyed and a little plump. Neither of them could be much more than one-and-twenty, and both were beautiful in their distinct ways. I imagined the suitors were lining up for their hands.

‘It was Grace, my youngest daughter, who prompted our invitation to you,’ Mrs Andrews continued, giving a nod of acknowledgement to the fair-haired girl. ‘I understand you’re acquainted with our maid, Jane. Grace tells me that Jane has shared some stories of your…talents. My daughter has an enthusiasm for these matters, and was inclined to make your acquaintance so that you might be able to read her leaves.’

Of course. Typical Jane. The matter had unfolded much as I expected, but that didn’t mean it rankled any less. I could hear my mother’s warning echo in my ear.

Be careful who you trust, ma chérie.

‘I’d be happy to oblige you,’ I replied.

Jane returned briefly with the tea set. She managed to avoid catching my eye, which was just as well as I couldn’t be sure I wouldn’t scowl at her. After she’d laid out the required wares and left, Mrs Andrews retrieved a key and unlocked the tea chest which sat atop a mahogany table across the room. I watched as she filled an attractive porcelain bowl with leaves before placing it in the centre of the table.

‘I’ll let you do the honours, Miss Rose,’ Mrs Andrews said.

‘In fact, Mrs Andrews, I’m afraid the practice requires that each person makes their own cup of tea. Leaves first, then hot water. The leaves must remain in the bottom of the cup.’

Mrs Andrews curled her lip, partly at me and partly at Grace, who shrank a little across the table. I was being tolerated. But then, my sort always were.

‘I see. Well, girls, you heard Miss Rose. You too, Henry. Make your tea.’

I watched with some amusement at the show of refinement and delicacy as one by one, each concocted their brew. I realised how unused I was to company such as this; too accustomed now to the rough manners of the tavern, to the clink of ale mugs and the stink of whisky and sweat. It had been many years since I had sat and enjoyed tea in a room such as this. The thought unsettled me, and I brushed it aside.

‘Miss Rose, that is an unusual accent. Pray, do tell us where you are from,’ the elder sister, Clara, said as she stirred a spoon in her cup.

I felt the heat grow in my cheeks as four pairs of eyes bored into me. I worked hard to conceal my accent, but it could always be detected by a well-attuned ear.

‘I spent my childhood in France,’ I replied. ‘But I have lived in Edinburgh for many years now.’

Grace gave a little snort. ‘France, indeed! Jane never mentioned that. I do hope you’re no admirer of Monsieur Napoleon, Miss Rose.’

‘Upon my word, Grace!’ Henry interjected before I could answer. ‘What an assertion to put to Miss Rose. I am sure that, given her long residence in Edinburgh, she is no friend to the revolution. Am I right, Miss Rose?’

I nodded. ‘You are indeed, sir. On the question of Monsieur Bonaparte, I would say that I welcome the current peace. Long may it last.’

‘Yes, yes, very good,’ said Mrs Andrews, before sipping her tea. ‘I presume I may now drink this, and that we may dispense with all talk of politics.’

I nodded my agreement, and poured a cup of my own. I hadn’t answered badly, but when in polite society it was very often impossible to say the right thing.  

‘Have you any family in Edinburgh, Miss Rose? Parents, or siblings, perhaps?’ Clara’s dark gaze remained intently upon me as she pursued her line of questioning.

I shook my head. ‘I’m afraid not. I have no siblings, and my parents are dead.’

A half-truth, but I wasn’t prepared to part with the full story of my upbringing. Indeed, I didn’t know the half of it myself.

‘That is sad, being alone in a strange city,’ Grace lamented. ‘We are strangers here too, but at least we have each other for company.’

‘Hush, hush,’ her sister urged, ‘or you shall be revealing all our secrets and there will be no point in Miss Rose’s divining for us at all. Although, I must agree with my sister that it is sad – and unusual.’

Unusual. Perhaps it was in her world, but it was all too common in mine. Clara continued to regard me, and I wondered if she felt as I did, if she could sense the chasm between us. The valley between the towns. The empty space which separated our lives. After a moment she looked away, and I decided it was best to move on.

‘Has anyone finished their tea?’

Henry sat back in his chair, his casual pose seeming to mock me. ‘I confess I have finished, but I am going to decline a reading from you, Miss Rose. I mean no offence, but such amusements are the preserve of young ladies with heads full of novels and nonsense.’

I nodded, inwardly cursing Jane once again. This was exactly why it wasn’t worth my trouble to do readings. Too much risk. Too much unbelief.

‘Oh, do ignore him, Miss Rose. He is an utter blockhead,’ Grace said. She pushed her cup towards me. ‘I asked Mama to invite you here. I would like to go first.’

I took her cup, examining the messy, wet swirls of leaves clambering up its sides. ‘You are a young woman of great sensibility, Miss Grace. I see that you love to dance and that you play the piano very well.’

Grace beamed at me. ‘Yes, indeed. Yes, it’s true. My playing is far superior to Clara’s.’

Henry clicked his tongue in disapproval. ‘Dear Grace, how easily led you are. Most young ladies in Edinburgh will like to dance and to play the piano. Mere guesswork, and that is all.’

‘You are happy more often than not,’ I continued, undeterred by Henry. In truth this was turning out to be an interesting cup. ‘But I can see your circumstances have been difficult of late. There has been a division in the family, I believe. Yes, a separation, leading you here to Edinburgh.’

I didn’t need to have the sight to understand that I’d touched a nerve. Mrs Andrews sat bolt upright, sending the remainder of her tea swishing around her cup.

‘An easy supposition, Miss Rose, if you’ve read the newspapers in these last twelve months.’

‘I have not, madam,’ I replied, ‘but I shall leave that line of enquiry as it is, since it is clearly vexing.’ I looked back at Grace. ‘Is there anything in particular you wish to know?’

‘Marriage,’ her mother snapped, before Grace could answer. ‘Can you see anything on the matter of her marriage?’

I looked back at Grace’s cup. In truth, I could see little. Her leaves were scattered all over the place, much like her feelings. ‘You will have many suitors to choose from, and you will have a difficult decision to make. But I see that you will be happy.’

Grace giggled. Mrs Andrews, however, was far from impressed.

‘That is all very well, but do you have a name? Who will she marry?’

‘I’m afraid I don’t have a name, Mrs Andrews. Sometimes during a reading, names will make themselves known, but it is rare.’

‘Well yes, I imagine that would be far too specific,’ Henry scoffed.

‘Indeed. Let us see whether you have better luck with Clara,’ Mrs Andrews said, tight-lipped. ‘My dear, pass Miss Rose your cup.’

Clara did as instructed, her cool fingers brushing mine as we leaned across the table. I felt her feelings as they seeped from her skin; restlessness, anxiety, panic. Love. I caught her gaze for the briefest moment, watched as she extinguished the spark. I wondered how often she had to bury those feelings beneath that well-rehearsed serenity. In my hand her cup grew warm, the neat arrangement of soggy leaves readying themselves to reveal her secrets.

Then I looked down, and realised it wasn’t the leaves that were speaking to me at all.

A dark corridor. A flash of yellow paint. A man, his lips upon a woman’s neck.

A flickering candle, running with molten wax, its wick almost spent. A stone staircase. A woman’s body tumbling down, a soft blur of muslin and limbs.

A face, running with blood.

Her face.

Her blood.

The vision broke, torn apart like pages from a book. In my hand her cup shook, and the delicate porcelain cracked. The red trickled away, succumbing to the black, and I knew what was coming next. I knew before I saw him. I knew before I heard him cry.

‘Pierre,’ I whispered, just as the ground greeted me, and the darkness swallowed me whole.

Hope is the Thing with Feathers

I’m writing this blog on the same day that my latest novel has gone out on submission. I always find this part so daunting, although after putting together queries so many times now, I do feel I’m getting better at it. Nonetheless, it’s hard – hard to manage your own expectations, hard to think about (probable) rejection. Hard to hope.

Hope, indeed. As Emily Dickinson wrote, ‘hope is the thing with feathers, that perches in the soul’. I found myself thinking of that poem as I hit ‘submit’. In this line of work, you don’t really want to hope, but you can’t really help it. At least, I can’t.

Also – as an aside – if you haven’t already watched it, I highly recommend watching Dickinson. As well as being entertaining, that show really got me thinking about the nature of creativity, why we write, and who we write for. Also, Hailee Steinfeld is awesome as Emily.

Anyway, while I wait several months to hear back from my submission, I will be writing the second book in my Ailsa Rose Mysteries series. I’m excited to get back into the lives of Ailsa and Angus and those around them, and having done the research and prep work last autumn/winter, I’m ready to go!

I’m shortly going to be running a promotion on The Wax Artist too, so keep an eye out on my social media and on here for details about that.

A Preoccupation with Solitude

Over the past couple of years, I’ve found myself quite interested in histories relating to solitude, in terms of what being alone has meant down the centuries, and how people have responded to ideas of solitude over time. My interest in this was first sparked by a couple of radio or podcast series, the first being Thomas Dixon’s A Short History of Solitude for the BBC, and the second being the Spaces of Solitude podcast by researchers at Queen Mary University London. I mentioned both previously on a blog post about my favourite podcasts – more here. Thinking back, I don’t think it’s too much of a surprise that this subject resonated me – in the pandemic times, I found myself both isolated from the outside world, but rarely ever alone at home, with all my family ‘locked down’ beside me. Solitude, I came to realise, is something I need in order to create. As the saying goes, you don’t know what you’ve got until it’s gone.

One of the topics within this theme of solitude which really intrigued me was that of religious hermits, anchorites and anchoresses; those who devoted themselves to lives of piety and solitude in the medieval period (although perhaps were not always as alone as we might think, as Thomas Dixon’s series explores). In recent times I’ve become quite an enthusiast for medieval history – something which has come as a surprise, since I was always a devoted early-modernist in my student days. I suppose the two interests, therefore, go hand in hand. With all this in mind, yesterday I stumbled upon a really interesting story…

First, a bit of context. My current work-in-progress has reclusive people at its heart. I’m not sure that was a deliberate choice I made when I began to write; rather, I think it was a subconscious one which developed quickly and which, given my recent preoccupation with solitude, isn’t all that surprising. My two main characters find themselves alone for diverse reasons, some circumstantial, some matters of choice, but both are grappling with their solitude in their different ways. The novel is set in Cumberland (now Cumbria), along the Whitehaven coastline. Yesterday, as I was redrafting, I found myself wandering down a bit of a Google rabbit hole (it happens often). One of the characters mentions the village of St Bees; I went on Google to check a detail and, just like that, I found Saint Bega.

View of the South Head from the golf course at St Bees, Cumbria, by Doug Sim.

Not far from St Bees is St Bees Head, a headland which reaches out west and is home nowadays to a RSPB reserve and a variety of sea birds. It is also said to be where, in the ninth century, an Irish princess called Saint Bega was shipwrecked after fleeing her homeland and the prospect of a forced marriage to a Viking prince. Bega settled for some time in the area, becoming an anchoress, before eventually fleeing further east into Northumbria as the threat from raiding pirates loomed large. The name of the village is a corruption of its Norse name, Kyrkeby Becok, which translates as ‘church of Bega’. St Bees Priory, which has its own long and interesting history, was also dedicated to her.

Stained glass window at St Bees Priory depicting the arrival of St Bega at St Bees, sometime after 850 AD, by Doug Sim.

There is more detailed information about St Bega’s life, the relic and cult of St Bega, and indeed whether or not she ever existed at all over on the St Bees website. However, having unexpectedly discovered this story yesterday, I just had to share it. And now you know, as I do, why St Bees is called St Bees!

Time Marches On

I’ve not been particularly good at keeping my blog up-to-date so far this year. As it’s now May (already!), I thought it would be good to give an update on what I’ve been up to during these past few months.

Firstly, I’ve been very busy writing my next novel, and I’m pleased to say that I have now completed the draft. It has taken me 3 months to do so, which is by far the quickest I’ve ever written a story. Currently I am editing the manuscript, and will then be putting this book out on submission to a publisher. This story is a different genre to any of my previous work as it falls firmly in the ‘romance’ category, although like many of my other books, it is historical fiction too. I’ve really enjoyed writing it and I will update as soon as I have more news about its journey towards publication.

While this manuscript is out on submission, I will be getting to work on the second Ailsa Rose mystery. I completed the research and plotting for this book some time ago, so my next job will be to get reacquainted with that, then start writing! I’m really looking forward to spending some time with Ailsa and Angus again and pursuing their story, as well as giving them a new mystery to solve! Like The Wax Artist, this book will be published independently and I hope to release it later this year.

In February, The Wax Artist also went out on a very successful online book blog tour. That was the first time that any of my books have had a book tour, and I was really heartened by the reviews The Wax Artist received. It was so nice to hear about readers enjoying the story, and appreciating the characters and the setting. The tour was organised by Love Books Tours, who did an amazing job of pulling it all together.

The next few months will continue in much the same vein, with me hard at work as I try to write two novels this year. So far, I am on track. However, I will try to keep my blog updated more regularly!

The Wax Artist on Tour

Hi everyone! I’m really pleased to let you know that on Monday, The Wax Artist will be going on a blog tour, hosted by Love Books Tours. This is the first time I’ve done a blog tour so this is all new to me! As is Instagram, which I’ve just signed up for this weekend as a lot of the tour will take place there. Every day is a school day, and all that…

I’ve shared the poster for the tour below if you would like to follow throughout the week. As ever, thank you for your support.

New Year, New Writing Goals

Happy new year to you all, and I hope you had a restful festive season. My first blog post of the year typically concerns my goals for the year ahead, and this one is no different! So, here we go…

2021 was a productive year in terms of my writing, with the release my first new book in two years, which was also the first in a new series of historical mysteries. One of my goals this year is to write the second Ailsa Rose novel, and I’m very much looking forward to returning to Georgian Edinburgh and continuing Ailsa’s story, as well as giving her a new mystery to solve! I’m pleased to say that the preparatory work for this novel is well underway – indeed, I was already writing this one in my head while I was finishing The Wax Artist!

The biggest challenge for me this year is that I intend to write not one, but two books. This is something I haven’t managed before, and it will definitely be quite tough to achieve. However, there is a story I want to write which is quite different from any of my previous output, and this feels like the right time to do it. More on that as things develop, but right now I’m having a lot of fun creating some new characters and putting a plot together.

Finally, I’d just like to say thank you to everyone who has bought a copy of The Wax Artist, and thank you also to those who’ve read it and been in touch to let me know your thoughts. It’s been great to hear how many people have enjoyed it over Christmas! Writers always appreciate ratings and/or reviews so if you have time after reading it, I’d love it if you’d consider leaving one on Amazon, Goodreads, or wherever else you would normally post these. Thank you!

The Wax Artist: Release Day

I’m delighted to announce that my sixth novel, The Wax Artist, has now been released for sale. The book is available in ebook and format from a number of retailers, including Amazon, Barnes & Noble, and Apple Books. More information about the book, including buy links, is available here.

Tonight on Facebook I’ll be holding a virtual launch event between 8pm and 9.30pm GMT. Pop along for videos and chat about the book. After the event I’ll be sharing the video content across my social media platforms, so there will be a chance to catch up if you can’t make it. To join the event, just head here.

Thank you to you all for your support with this book; every like, every share and every book purchase is very much appreciated. It’s been great to hear from all of you who’ve said you’re looking forward to reading it, and I very much hope that you enjoy it.

Introducing… The Wax Artist

I’m delighted to confirm that my next novel, The Wax Artist, will be released on 2nd December 2021 in e-book and paperback. If you follow my social media pages, you may have already seen the cover and blurb, but for those who haven’t I thought I’d put them together here!

So, without any further ado, I’m overjoyed to introduce you to the first book in my new series of mystery novels set in Georgian Edinburgh, and to my new protagonist, French émigré, psychic and amateur sleuth, Ailsa Rose. I hope you’re looking forward to the novel, and that you enjoy delving into Ailsa’s world as much as I have.

The Wax Artist