As promised back in February, I have been quietly and steadily working on my new novel. I’m conscious I’ve been silent for some time now, so thought I’d blog a short update on how things are going. I’m pleased to say that I’ve now completed the first draft of the manuscript and have almost completed the first round of editing. There will be more reading and editing work to be done, of course, but I feel as though I’m making some serious progress towards the final, finished novel.
So, today I thought I might say a little more about what this book is about, and where it came from!
The first seeds of this story were sown in my mind back in the autumn of 2019, while working on an assignment for the creative writing course I was taking at the time. I was doing a lot of free-writing for this, and I produced a number of short passages about a psychic who has a vision of a crime which has not yet been committed. As I developed them further, I found myself wandering into the late eighteenth-century, sketching characters and settings which felt sometimes Austen-esque and sometimes far less privileged – a contrast which I enjoyed. I live not far from Edinburgh, a city with a notable Georgian heritage, so I began to feel this might be my story’s setting. At this point I had lots of threads, lots of ideas, but it was only when I started looking more closely at eighteenth-century Edinburgh, that I had a ‘eureka’ moment.
That moment looked something like this:
I discovered that, in 1803, Madame Tussaud opened an exhibition in Edinburgh’s New Town. Travelling from France to London and then on to Edinburgh during the brief peace between Britain and France, her Grand Cabinet of European Figures was the first time the Scottish capital had seen her lifelike waxworks of royalty and revolutionaries – including, of course, the now infamous death masks. This tiny, fascinating piece of information provided the setting for my university assignment, but it was also the spark which got me to realise that the plots, settings and characters whirring around my head needed a novel. The result is a story which is grounded firmly in its period: a new century, an uneasy peace, an ancient city in flux, and an old world still reeling from revolution. It’s also a novel which still has that psychic and that original mystery at its heart: how do you solve a crime which hasn’t happened yet?
I can’t wait for you all to read it.