Somewhere in Between

Today I’m delighted to share my short story, Somewhere in Between, which has been published in issue 1 of Gutter Voices. Gutter Voices is a brand new online literary magazine showcasing some great writing, so please do check it out here!

In Somewhere in Between an elderly woman reflects on a diminished world in this tale about love and the power of memory. I really hope you enjoy it – please feel free to leave a comment below.



A Message from the Former Rulers of Planet Earth

Hi folks! It’s been a busy time, and today I’ve got a couple of things to share with you. The first is the news that one of my short stories will be published in issue one of Gutter Voices, a new literary magazine. The magazine launches on 15th March, and I will share the story with you then!

The second is a poem. Recently I completed the poetry section of my creative writing course, and thought that today I would share a poem I wrote during those weeks of study. I found that a lot of what I wrote revolved around the natural world and, in particular, climate change. I also wrote quite a few poems in the voice of various animals. This poem came to me whilst sitting in traffic one morning, watching some magpies swooping around a nearby field. I hope you enjoy it.

Message from the Former Rulers of Planet Earth

I see you.
Stuck, stationery in your metal box.
Those lights are dazzling
but I see you,
row upon row of you,
and yet you call us flocks.

Did you know, we used to be bigger?
All fearsome faces
and tyranny and teeth.
The earth you line up on
was our dominion
until the fires came.

Now I see you:
your smoke, your flames,
the liminal space you occupy
but are too blinded to see.
I see your metal boxes in the sky
and I wonder when you’ll grow wings.

Perhaps never.
Perhaps you’ll stay tethered
like the biggest of us;
those most ferocious,
now fossils
pressed down into dust. 


Book Review: Mary Barton by Elizabeth Gaskell

“The rich know nothing of the trials of the poor; I say, if they don’t know, they ought to know. We’re their slaves as long as we can work; we pile up their fortunes with the sweat of our brows, and yet we are to live as separate as if we were in two worlds”

Mary Barton, the heroine of Elizabeth Gaskell’s novel, is beautiful but has been born poor. Her father fights for the rights of his fellow workers, but Mary wants to make a better life for them both. She rashly decides to reject her lover Jem, a struggling engineer, in the hope of marrying the rich mill-owner’s son Henry Carson and securing a safe future. But when Henry is shot down in the street and Jem becomes the main suspect, Mary finds herself hopelessly torn between them. She also discovers an unpleasant truth – one that could bring tragedy upon everyone, and threatens to destroy her.

Elizabeth Gaskell’s debut novel is my first classic novel of the year, having set myself a goal of reading more classic literature, particularly focusing on nineteenth century novelists. I must say that prior to reading this I was already a fan of Gaskell’s work, having greatly enjoyed reading North and South, and watching the TV adaptations of both this and Cranford.

Mary Barton is set in early Victorian Manchester, a grimy, industrial place, where life is hard and poverty is rife. Those familiar with North and South will recognise the early emergence of similar themes: the plight of the poor, the apparent indifference of the wealthy, and the class tensions bred in large part by the socio-economic precarity faced by all. As in her subsequent novel, Mrs Gaskell addresses these overarching themes with sympathy and understanding, giving them context through her setting and relevance to her characters, thus demonstrating both their complexity and dire consequences.

The novel is written with a third-person omniscient narrative voice, a highly fashionable choice of narrative in Mrs Gaskell’s era. As a result, the narrator knows all of the characters’ thoughts, feelings and motivations, as well as their pasts, presents and futures. For modern readers, used to the more limited omniscience and the subtleties of ‘showing’ rather than ‘telling’ which are common traits in modern literature, this can take a bit of getting used to. However, the narrative style doesn’t detract from the dramatic elements of the story, as the novel is well structured to ensure that the reader doesn’t learn everything all at once.

The title character, Mary, is a well-drawn and sympathetic heroine, who develops through the novel from a naive girl who makes some youthful mistakes into a brave young woman who, despite facing impossible choices, determines to chart the correct course. Like most of Gaskell’s characters Mary isn’t perfect, which serves to make her more endearing. The supporting cast around her is also wonderful, and I particularly warmed to Mary’s friend, Margaret, and her grandfather, Job Legh. At times I found Mary’s two love interests, Henry and Jem, a little two-dimensional; Henry’s sudden death means that his feelings towards Mary are never fully explored, whilst Jem is absent for great swathes of the novel, only really coming into his own towards the end. I would have liked to have known them both better, but overall this didn’t detract from my enjoyment of the novel.

Finally, the dialogue is rich and authentic, filled with wonderful dialect words and expressions from the period. As a Lancastrian it was a joy to read; I could hear those Mancunian accents clearly in my head. For those less familiar with northern English dialects, the public domain edition I purchased included a glossary of terms embedded in the text, which at times proved useful.

A compelling read which clearly evokes nineteenth century northern life. Five stars.

Short Pieces and Classic Fiction

Happy Monday to you all. It’s still January, the loooongest month of the year (well, not technically, but you know what I mean). It’s dark outside, and it’s cold, and it keeps threatening to snow (yuck).

But on the bright side, the weather is a perfect reason to stay indoors with a good book, or working on a bit of writing. And, so…

What am I writing?

At the moment, mostly poetry. I’m on to Part 3 of my Open University course now, and it’s all about lines, stanzas and iambic pentameters. I have to admit to being quite nervous about starting this part of the course. It’s been a very long time since I crafted much poetry, and I’ve never felt as confident with it as I do with prose. However, so far, I have surprised myself, and I’m very much enjoying it. With my next assignment due in a few weeks I am knuckling down to a poetry project; something a little bit supernatural, and a little bit Byronic. Loving it.

I’ve spent some time recently having a look over my writing from the past few years. Aside from the novels I have written, I have realised that I have a wealth of short stories, flash fiction and poetry. In fact I have so much that I’m now giving serious consideration to polishing up some of these pieces into a collection of fiction. So, watch this space – there might be a publication from me in 2020, after all.

What am I reading?

Currently I’m reading Mary Barton by Elizabeth Gaskell. Mrs Gaskell is one of my favourite nineteenth century novelists, and has been ever since I read North and South. One of my aims this year is to expand my repertoire of classic fiction, as well continuing to read widely across modern genres. As a result, the top of my TBR list is looking pretty eclectic right now, with everything from Anne Bronte’s The Tenant of Wildfell Hall, to CJ Sansom’s Tombland, to The Dead Girl’s Stilettos by Quinn Avery. As they say, variety is the spice of life!

I’d love to hear what you’re all reading, and any recommendations of great books you’ve read over the winter. Please feel free to comment below!

Reviewing the Resolutions

Happy new year to you all! I hope you had a peaceful and enjoyable festive season. I’m mindful that I’ve been very quiet on my blog since the release of The House at Kirtlebeck End at the beginning of December. It’s been a busy few weeks; between the book release, university assignments and Christmas, I’ve barely had a spare moment!

As this is my first post of the new year, I thought I’d review the goals I set myself last year and see how I got on. My goals were:

Goal 1 – Finish writing The House at Kirtlebeck End

Goal 2 – Submit The House at Kirtlebeck End to agents/publishers

Goal 3 – Research my next historical novel

Goal 4 – Keep writing and submitting to magazines/journals

Well, I didn’t do too badly. The House at Kirtlebeck End was finished and published by the end of the year. And I did pitch it to agents/publishers, and although it wasn’t picked up, it was worth going through that process to develop my awareness of the industry (and my query letter writing skills!). I kept working on short stories, although perhaps not at the rate I managed in 2018. Finally, I did begin some research around a couple of historical novel ideas, and I’ve got some pretty detailed notes which I intend to return to at a later stage.

However, as you’ll know if you follow this blog regularly, I started something else last year – something which wasn’t planned, but which was an opportunity I just had to grasp. In 2019 I became a student again, and 2020’s big goal is to make a success of my creative writing course. I’m really enjoying it; I’m learning so much and developing my skills as a writer. And the coursework has generated a couple of novel ideas! So, watch this space.

For me, 2020 will be a year of development. I will be spending the time studying, honing my skills, and broadening my writing horizons. After that, I’m not sure – which is actually quite exciting. Sometimes the best things in life are those which aren’t planned, or expected.

And, of course, I’ll be doing lots and lots of reading!

New Release: The House at Kirtlebeck End

I’m really happy to announce that my new novel, The House at Kirtlebeck End, has been released!

The House at Kirtlebeck End is a paranormal suspense novel set in Scotland in the 1970s and the present day.

Let the dead speak

Two troubled women. Two different decades. Two unsolved disappearances. Will the house that witnessed it all ever give up its secrets?

In 1972 artist Eleanor Murray starts afresh in Kirtlebeck with her husband, Bert, and daughter, Anna. Still reeling from Bert’s recent infidelity, Eleanor’s hopes of happiness in their rural idyll are swiftly consumed by depression and despair. Then, just months after their arrival in the village, Bert goes missing.

In 2018 Eleanor’s estranged granddaughter, Harry James, arrives in Kirtlebeck after inheriting the Murray family home. Desperate to put her chequered past behind her, Harry is determined to learn about the family she never knew and to discover what happened to her mother, Anna, who vanished without a trace years ago.

As the story moves between the decades, secrets are unearthed and the dead begin to speak. Alone in the big old house, Harry learns that nothing is quite as it seems, and that behind a family history filled with strange disappearances lurks an otherworldly tale of darkness, obsession, and vengeance.

Available at: Amazon / iTunes / Barnes & Noble / Smashwords / Kobo

The Big Blurb Reveal!

Today I’m delighted to reveal the blurb for my forthcoming novel, The House at Kirtlebeck End:

I hope it has you intrigued! The House at Kirtlebeck End is a paranormal mystery/suspense novel, and will be available in ebook and paperback format on 2nd December 2019.

To celebrate the imminent release of my next book, my first contemporary novel Ethersay is currently 99p / 99c on Amazon Kindle. If you haven’t read Ethersay, you can check out the book’s description and promotional trailer here, and you can click here to pick up your copy.

Cover Reveal: The House at Kirtlebeck End

Today I am so pleased to reveal the cover for my forthcoming novel, The House at Kirtlebeck End.

Choosing a cover for this book wasn’t a straightforward process (it never is), with lots of deliberating and procrastinating and difficult choices between lots of wonderful designs. However, I decided that the cover for this book needed to show the reader exactly what it is – a paranormal mystery/suspense novel – and I feel this cover does that perfectly! I’d love to know what you think, so please comment below.

With just a month now to go until the release date of 2nd December, I will shortly be publishing the book’s blurb and details of the e-launch event, so keep an eye out here for updates.

Release Date: The House at Kirtlebeck End

Good evening and a happy Halloween to you all!

Today I’m pleased to announce that my next novel, The House at Kirtlebeck End, has a release date! The book is scheduled for release in ebook and paperback format on 2nd December 2019.

The House at Kirtlebeck End is a paranormal mystery/suspense novel, set in a small fictional village in southern Scotland. The book also has a touch of inter-generational family saga to it, as it moves between the 1970s and present day to reveal one family’s otherworldly tale. This book is the culmination of almost two years of work from original concept through to finished product, and I’m really excited to share it with you soon.

Over the next week or so I will reveal the book’s cover and also publish the blurb on this site. In the meantime, if you’re on Goodreads please head over to the book’s Goodreads page and add it to your ‘to be read’ list.

The Dangers of Dismissal

I’m not going to lie, folks; I’ve been a bit of a whinge on Twitter recently. The thing about being at the querying stage with a book is, all your resilience gets ploughed into keeping your chin up when the inevitable rejections arrive. That’s good – if you’re going to keep writing and keep submitting, you have to learn to rise above rejection, to not take it personally, and to keep on keeping on. However, the result is that your tolerance for other things, like details or phrases, might plummet a little. And of course, Twitter is always on hand for you to vent about your irritation to a nice big audience…

Yeah, sorry about that. Normal positive thinking will resume shortly. Though I do stand by every word. In this business rejection is inevitable, but there are many ways to write ‘no thanks’ and some are far better than others. Phrases like ‘I’ll pass’ are lazy, unprofessional and dismissive of a writer’s creative work. They might not be intended in that way, but that’s how they come across. The fact that apparently some quarters of the publishing industry don’t appreciate the impact that words can have is frankly more than a little ironic.

Anyway, today I thought I would also give an update on how things are progressing with my forthcoming novel, The House at Kirtlebeck End. As indicated before, I’m still at the querying stage and have a few responses from agents/publishers outstanding. In most cases the various deadlines they set themselves are fast approaching, so depending on the outcome of those I will be making a few decisions in the next few weeks about the publication of the book. So, watch this space! I hope to be able to bring you more news at the beginning of November.

Those who follow me on Facebook may also have noticed that I have recently started studying Creative Writing with the Open University. It’s early days but so far I’m enjoying it and looking forward to enhancing my writing skills over the coming months. At the same time I’m also fermenting some ideas for my next novel, and have started to do a bit of research when time allows. In short, there’s a lot going on but generally it’s all good. Onwards and upwards, as they say!