Category Archives: Historical Fiction

Top Books of 2020

Each year, I set myself a reading challenge on Goodreads. I read regularly, but even so I like to have a target to reach each year, in terms of the number of books I manage to read. In recent years my target has been 20 books, and this year I decided to increase it to 25. In fact, I ended up reading 26 books this year, and as ever these were an eclectic mix, from ghost stories to romances, and from classics to brand new releases.

As the year draws to a close, I thought I’d review my Goodreads reading challenge list and pick out my favourite reads of 2020. And so, in no particular order, here they are…

The Cold Black Sea – Campbell Hart

There’s something rotten at the heart of the Balfour family. These three stories highlight the darker side of a shared history, told through the voices of different generations.

The Sniper: as the bloodiest battle of WW1 rages all around them, three friends find themselves facing a phantom sniper deep in no-man’s land. Set against the horror of the Somme one thing is certain: you never see the shots, and the marksman never misses.

The Rocking Stone: the vengeful spirit of the Lady of Threepwood stalks Cuff Hill, bringing death to those who catch her eye. When a black metal box is unearthed in an ancient grave, a young girl’s life is transformed. Only the Rocking Stone holds the answers, with the truth found in the ancient fire cast out from the otherworld.

The Cold, Black Sea: A dying woman returns home for the final time, but with her judgement clouded by visions of the past and present, nothing is quite as it seems. As she tries to lay her demons to rest she’s dogged by a journalist determined to uncover a terrible secret.

There’s no escape from the cold, black sea.

I wrote a review of Campbell Hart’s collection of three ghost stories back in October after receiving an advanced copy, and as I noted at that time, they certainly made an impression on me. This was a perfect Halloween read: dark, foreboding and very satisfying as each story explored a different layer of one family’s accursed history.

An Unreliable Man – Jostein Gaarder

From the creative genius of Jostein Gaarder comes a beautiful novel about loneliness and the power of words.
Jakop is a lonely man.
Divorced from his wife, with no friends apart from his constant companion Pelle, he spends his life attending the funerals of people he doesn’t know, obscuring his identity in a web of improbable lies.
As his addiction to storytelling spirals out of control, he is forced to reconcile his love of language and stories with the ever more urgent need for human connection.

I’ve been a fan of Jostein Gaarder’s work for years, ever since I read Sophie’s World as a teen, and this book certainly didn’t disappoint. A touching tale about loneliness which addresses the nature of reality and the extent to which we create stories about ourselves as we navigate our relationship with the world around us.

The Tenant of Wildfell Hall – Anne Brontë

Anne Bronte’s second novel is a passionate and courageous challenge to the conventions supposedly upheld by Victorian society and reflected in circulating-library fiction. The heroine, Helen Huntingdon, after a short period of initial happiness, leaves her dissolute husband, and must earn her own living to rescue her son from his influence. The Tenant of Wildfell Hall is compelling in its imaginative power, the realism and range of its dialogue, and its psychological insight into the characters involved in a marital battle.

I read a number of classic novels this year, but this one was my favourite. In its day, this book was bold and shocking; so much so that after Anne’s death, her sister Charlotte prevented its re-publication. An epistolary novel told from the points of view of a farmer, Gilbert Markham and the mysterious Helen, whom he admires, The Tenant of Wildfell Hall is a story of love and sacrifice which does not shy away from addressing the cruelty and unhappiness which no doubted existed within the bounds of many a Victorian marriage.

Five Hundred Miles from You – Jenny Colgan

They live five hundred miles apart. Yet their lives are about to collide . . .

Lissa loves her job as a nurse, but recently she’s been doing a better job of looking after other people than looking after herself. After a traumatic incident at work leaves her feeling overwhelmed, she agrees to swap lives with someone in a quite village in Scotland.

Cormac is a restless. Just out of the army, he’s desperately in need of distraction, and there’s precious little of it in Kirrinfief. Maybe three months in London is just what he needs.

As Lissa and Cormac warm to their new lives, emailing back and forth about anything and everything, finally things seem to be falling into place. But each of them feel there’s still a piece missing. What – or who – could it be?

And what if it’s currently five hundred miles away?

Towards the end of 2020, I made a conscious decision to indulge in some lighter reading. I absolutely loved this book, and couldn’t put it down. It’s a real feel-good read which has it all, including a romantic Scottish highland setting and a good bit of will-they-won’t-they. If you want a book which will make you smile, I’d recommend giving this one a try.

The Year without Summer – Guinevere Glasfurd

In 1815, a supervolcanic eruption led to the extraordinary ‘Year Without Summer’ in 1816: a massive climate disruption causing famine, poverty and riots. Lives, both ordinary and privileged, changed forever.

1815, Sumbawa Island, Indonesia
Mount Tambora explodes in a cataclysmic eruption, killing thousands. Sent to investigate, ship surgeon Henry Hogg can barely believe his eyes. Once a paradise, the island is now solid ash, the surrounding sea turned to stone. But worse is yet to come: as the ash cloud rises and covers the sun, the seasons will fail.

1816.
In Switzerland, Mary Shelley finds dark inspiration. Confined inside by the unseasonable weather, thousands of famine refugees stream past her door. In Vermont, preacher Charles Whitlock begs his followers to keep faith as drought dries their wells and their livestock starve. In Britain, the ambitious and lovesick painter John Constable struggles to reconcile the idyllic England he paints with the misery that surrounds him. In the Fens, farm labourer Sarah Hobbs has had enough of going hungry while the farmers flaunt their wealth. And Hope Peter, returned from Napoleonic war, finds his family home demolished and a fence gone up in its place. He flees to London, where he falls in with a group of revolutionaries who speak of a better life, whatever the cost. As desperation sets in, Britain becomes racked with riots – rebellion is in the air.

The Year Without Summer is the story of the books written, the art made; of the journeys taken, of the love longed for and the lives lost during that fateful year. Six separate lives, connected only by an event many thousands of miles away. Few had heard of Tambora – but none could escape its effects.

I’m a huge fan of Guinevere Glasfurd’s writing, and really enjoyed her debut novel, The Words in my Hand. Her second offering, an evocative tale of how one natural event can influence the course of many disparate lives, was just as wonderful. The way in which Glasfurd weaves her narrative is masterful, as she brings together a cast of well-drawn characters, from those on the cusp of making history, to ordinary folk just trying to survive. This writer has a real talent for bringing history to life on the page, and I look forward to seeing what she will write next.

Mistletoe Mishaps – Tracy Broemmer

If there’s anything Nic Collier likes less than decorating for Christmas, it’s being called out on local TV news to do just that. When anchorwoman Hailey Gerritsen challenges her to participate in the Christmas decorating contest sponsored by her own news station, Nic has no choice but to play along.

Enter Scott Woodrow, news cameraman, owner of a smokin’ hot body, and all-around nice guy. When Scott shows up to help Nic with her Christmas lights, she assumes none other than Hailey Gerritsen put him up to it.

But as the two of them work side-by-side to finish the decorating, Nic finds herself drawn to Scott and actually enjoying the decorating project and the holiday season.

Will Nic’s newfound holiday cheer last through the season, or will ghosts from her past ruin yet another holiday?

This novella was my festive reading choice for 2020, and it certainly did not disappoint. I’ve read quite a number of Tracy Broemmer’s books now, and she is fast becoming one of my favourite authors of contemporary romance. I really enjoyed the mistletoe premise, and the way in which a lighthearted piece of Christmas folklore propels the characters’ journey along. If you’re looking for a heartwarming love story laced with Christmas cheer, then this book is for you.

The Dead Girl’s Stilettos – Quinn Avery

After a Jane Doe is murdered in journalist Bexley Squires’s hometown, she’s hired by one of Hollywood’s brightest stars to clear his name as a suspect. But her skills as an amateur sleuth weren’t enough to find her missing sister. Does she have what it takes to find a killer?

When she returns to California, she discovers the elite seaside community of Papaya Springs has become more corrupt than she imagined. All too soon, she stumbles into a web of twisted games played by the rich and famous. Along with the detective in charge of the case, who also happens to be her high school crush, she’ll uncover a level of depravity unlike anything she’s ever known.

Murder and scandal under the hot California skies – what’s not to like? I really enjoyed this first book in Quinn Avery’s Bexley Squires series. It is a well-paced mystery with twists and turns aplenty, which I am sure fans of this genre will find satisfying. The heroine’s return to her hometown, her re-connection with her teen crush and the question of her missing sister all add further depth and interest to the story. Quinn Avery has been prolific in writing this series, a number of which are now available. They are on my to-read list for 2021.

Spotlight Part 4: The Pendle Witch Girl

In today’s spotlight is my fourth book, and the last instalment in the Witches of Pendle trilogy, The Pendle Witch Girl. This book is also my only novella to date, and was published in 2018.

The Pendle Witch Girl cover

In the spotlight post I did for A Woman Named Sellers, I mentioned that originally I wanted that book to cover Jennet Device/Sellers’ whole life, but found early on that to do so would have made the book far too cumbersome. So, after publishing that book I decided that I would write one final story, covering Jennet’s childhood and her pivotal (and tragic) role in the 1612 trials. Of all my Witches of Pendle books, this one draws closest to events leading up to and during the trials in Lancaster in 1612. Whereas The Gisburn Witch operates on the periphery of the Lancashire aspect of the story, The Pendle Witch Girl concerns the character who was at the centre of it.

Release day promotional poster

It was quite a challenge to tackle such an infamous story, particularly in trying to understand some of the accusations of witchcraft which arose and their context, and to represent those convincingly in fiction. I also had to bear in mind that the key primary source for the trial, The Wonderful Discoverie of Witches in the Countie of Lancaster written by court clerk Thomas Potts, contains its own biases, as it approaches events from the authorities’ point of view. Therefore, a good deal of reading between the lines was required.

When writing, I worked hard to avoid falling into the trap of ‘explaining away’ the superstitions and alleged magical events, or of putting too much of a modern slant upon them. Instead, I tried to get into the minds of my characters, to see the world through their eyes and to do justice to their stories. It’s important to remember, I think, that the accused and their accusers believed in witchcraft just as fervently as the authorities, and therefore saw events and the actions of neighbours, friends and even family through this lens. I also had to remember that I was writing from the point of view of a child, whose view of the world was not only steeped in superstition but also her immaturity and her own family dynamic. That dynamic, I felt, was key to understanding why she did what she did, and why events unfolded so dreadfully in the summer of 1612.

More information about The Pendle Witch Girl can be found here.

Spotlight Part 2: A Woman Named Sellers

Last week I started a series of ‘spotlight’ posts, focusing on each of my novels in the order I wrote them, and talking a little about their subjects and themes, what inspired me to write them, and so on. In today’s spotlight it’s my second novel, and the second book in the Witches of Pendle trilogy, A Woman Named Sellers.

Published in 2016, A Woman Named Sellers picks up the Pendle witches’ story twenty years after the first trials. It follows the story of former trial child witness Jennet Device, now living as Jennet Sellers. Following the death of her father, Jennet moves to a new village to live with relatives she hardly knows. She tries hard to carve out a new life for herself, and finds solace in new friendships, particularly with her fellow newcomer William Braithwaite, a stonemason from Cumberland. However, Jennet’s past continues to haunt her, and with witch hunters once again prowling the Pendle countryside, she’s not sure if she can ever be safe.

After writing The Gisburn Witch, I really wanted to focus on the story of the other, arguably more famous Jennet in the Pendle witch tale. Originally I planned to cover her whole life story but realised that her childhood and adult tales were too lengthy and complex to put into one novel. So, I decided to focus instead on her adulthood and possible involvement in the 1634 trials. Due to some of the gaps and contradictions in the evidence, we can’t know for certain that the Jennet Device named in the 1634 trial records was the same as the Jennet Device of 1612, although, on balance, it seems likely. I was really captured by the notion that her tragic life probably did come full circle – from witness to accused.

When I was writing this book, I was also really interested in reflecting some of the changes going on in wider society in the 1630s. These were the years leading up to the civil wars, and society was changing – we can see that in the shifting attitudes to witch-hunting, but also in the religious landscape, with many new Christian groups emerging. One of the major characters in the book, William Braithwaite, is a Grindletonian, a sect which sprang up in the northern village of Grindleton during these years. Groups like the Grindletonians were really very radical, placing emphasis on the individual’s relationship with God, rejecting the need to be ordained to preach, and believing that accepting God’s spirit was all that was required to attain salvation. William is one of the few fictional characters in the story, and to this day he remains one of my favourites. Some readers have also commented on how much they liked him, and a few have even asked if I’d consider writing a spin-off about him!

The 1634 trials are less well known that those in 1612, which is a shame as they are fascinating in their own right. Indeed, the echoes of 1612 are all there – child witnesses, tensions between neighbours, outlandish accusations, and the persistence of witch-hunting zeal in the north of the country. The results, however, were somewhat different from 1612. You can read more about the 1634 trials and Jennet’s possible involvement here.

More information about A Woman Named Sellers, including where to buy, is available here.

Spotlight: The Gisburn Witch

As the year tumbles towards its conclusion, I’ve found myself in a reflective mood. Let’s be honest, there’s a lot to reflect on this year, and not a whole lot of it has been good! However, in recent weeks I have been staying positive (mostly) and busy, working on the first draft of my next novel, and really enjoying the experience of delving into a different world which writing it affords. After all, 2020 could not be a better excuse for a little escapism, could it?

I’ve also found myself looking back on the books I’ve written and the things I’ve achieved so far. It is good to take stock once in a while, to look at your work and to think ‘wow, I did that’. I began writing my first novel in 2014, published it in 2015 and I haven’t really stopped since. As it is almost the end of another year, I thought it would be fun to shine a spotlight on my books in the order I wrote them, and say a little bit about them – what they’re about, what inspired me to write them, and so on.

So, in today’s spotlight is my debut novel, The Gisburn Witch.

Published in 2015, The Gisburn Witch is a historical fiction novel which tells the story of Jennet Preston, one of the so-called Pendle witches, who found herself caught up in the trials in Lancashire in 1612. I’d always had an interest in the Pendle witch trials, and wrote my university dissertation on the subject. Jennet had particularly drawn my interest as she was geographically separate from the other accused, living in Gisburn in the Yorkshire/Lancashire borderlands. She was tried separately, too, in York rather than Lancaster. I really wanted to dig deep into Jennet’s story, to understand how she ended up being accused of witchcraft. The Gisburn Witch is my imagining of that story.

In 2016, I wrote an article for Edinburgh University’s Dangerous Women Project, all about Jennet and the other ‘witches’ and some of the aspects of their lives and stories which made them vulnerable to witchcraft accusations. You can find it here.

You can find out more about The Gisburn Witch and where you can get a copy here.

Next time in the spotlight will be my second novel, and the second book in the Witches of Pendle series, A Woman Named Sellers.

Writing in the Time of Covid

As we reach the final quarter of the year, I think most of us will be looking back on what a difficult time 2020 has been. Each of us will have had our own challenges and hardships over these preceding months. I saw a meme on social media earlier this week which captured this sentiment perfectly – in essence, it said that though we are all going through the same storm, we aren’t all the same boat. It’s perhaps a statement of the obvious to say that this situation we’re living through touches every part of daily life. For me, it has undoubtedly affected my writing, both in terms of my ability to find the time and space to write, but also how I go about developing a story. One area which has definitely been affected is the way in which I do my research.

From pexels.com.

As some of you will know, my latest project is set in late Georgian Edinburgh. The seeds of this story were sown around nine months ago, during my second Open University assignment. I wrote a short story about a psychic sleuth who, having seen a genteel young woman’s dreadful fate during a leaf reading, tries to intervene with unexpected and rather creepy results. I loved the sleuth so much that I knew I had to write a novel about her – indeed, a series of novels about her. At the time I looked forward enthusiastically to the research I’d be able to do – as anyone who has visited Edinburgh will know, it is a deeply historical and atmospheric place, with a wealth of landmarks and museums to visit.

Candlemaker Row, Edinburgh. From pexels.com.

And then Covid came along.

At the time of writing, things are beginning to open back up but are by no means ‘normal’, meaning that some of the visits I’d planned, particularly to museums, can’t go ahead. Fortunately prior to Covid I had been to some of the places on my list, notably The Georgian House (which is just wonderful, by the way), and as someone living in the nearby Lothians I am broadly familiar with the city. But there were gaps in my knowledge, particularly in understanding how Edinburgh would have looked c.1800 (trust me, even seemingly old cities actually change an awful lot).

Thank goodness for books, and of course, the internet.

I thought today I’d share with you a couple of the absolute gems I’ve come across online during my lockdown research. The first is the Edinburgh World Heritage website, which contains a wealth of information about the old and new towns in the city. This is a really good starting point for anyone interested in the city’s history, and for finding interesting bits of information about individual streets and buildings. The second is the Maps Section of the National Library of Scotland website. I think I’ve lost count of how many hours I’ve spent poring over eighteenth century town plans, cross referencing streets and just generally building a mental image of the Edinburgh my characters inhabited.

North Bridge, Edinburgh, c.1809, from Wikimedia Commons.

In these past months, the internet has been an invaluable resource. If it was hard to imagine life without it before Covid, it seems impossible now. As an historical fiction writer, its importance to my research over these past months can’t be overstated. Quite simply, my latest project wouldn’t be happening without it.

The Immersion Method

Recently I was reading an interview with Hilary Mantel in BBC History Magazine. Mantel, who is currently one of the most famous and celebrated historical fiction writers, was talking about her approach to her research, and referred to the need to ‘absorb’ the period you’re writing about. I found myself nodding along with this, as it’s so true: when you want to write a story set in the past, it is important to not only understand it, but to visualize it as clearly as you see your own world around you. It’s not enough to know its facts on an academic level, although of course, these are important for accuracy. You have to be able to see it, smell it, taste it, hear it. To do that, I think that you have to breathe it in. You have to let it get right under your skin.

From pexels.com.

Depending on the specific period or context you’re writing about, this can be hard to do. When I wrote about the Pendle witches, I was always conscious that the sort of evidence which aids vivid recreations of settings and characters was scant. I had the awe-inspiring presence of Pendle Hill and Lancaster Castle to work with, but key places like Westby Hall and Malkin Tower are long gone. Furthermore, the women accused left no written record of their own – the sole primary sources available were the court records, steeped as they are in bureaucratic officialdom (and no small amount of propaganda). Interestingly, though, it was this sense of the victims’ lack of voice which made me all the more keen to re-imagine their stories, and to tell them from their point of view.

Illustration from William Harrison Ainsworth’s ‘The Lancashire Witches’. Image from Wikimedia Commons.

This summer, I’m researching for my sixth novel, set in late Georgian Edinburgh. Just as I did when preparing to write about the Pendle witches, I am reading widely and exploring the period. In short, I am immersing myself in it. And wow, what a lot there is to be immersed in! Late eighteenth/early nineteenth century Edinburgh, standing at the crossroads where Enlightenment and Romanticism meet, is a richly recorded and well-preserved place. The source materials, the books to read and the places to visit, are quite simply vast.

The ongoing pandemic means that getting out and about to visit key parts of the city hasn’t been possible yet, although I’m fortunate to know Edinburgh pretty well and have visited many of its museums and historic sites in the past. Until I can refresh my memory, however, there is plenty to be looking at in terms of online resources and books. I have made some truly fabulous discoveries, from the late eighteenth century town plans available through the National Library of Scotland, to the autobiography of a lady called Elizabeth Fletcher, a writer who lived in Edinburgh’s New Town at the turn of the nineteenth century.

Edinburgh. Image from pexels.com.

And to keep my mind firmly on the period, I’m busy re-reading some of my favourite Jane Austen novels and listening to Beethoven!

Some of the information I’m gathering will come in useful directly for the novel. A lot of it, though, is important simply because it enriches my understanding of the period, its people, what their lives were like, and how they felt about the world they inhabited. If I’m going to successfully evoke the setting and create some authentic characters, then this knowledge will be really, really important.

Online Events and Writing Time

I’ve not been very good at keeping my blog updated in recent times, so apologies for that. In truth, the competing demands of work and home educating my children placed upon me by lockdown have meant that I’ve had very little time to spend on my writing. However, this week is the last week of term, and the coming holidays hold the promise of some respite and, hopefully, some writing time. So I’m starting as I mean to go on, with a blog update on what I have managed to do recently, and what’s coming next…

Noir at the Bar

Earlier in June I took part in an online author event with Noir at the Bar, Edinburgh. It was great to go along to this and to talk about The House at Kirtlebeck End, and to hear from lots of other authors about their work. If you didn’t catch it on the livestream, you can watch it on YouTube here:

The Long and the Short of it

Given my severely limited writing time, short stories have been the order of the day (or past three months, I suppose). I produced quite a few pieces of work during my Open University course which I’m editing, and along with other pieces I’ve written, I intend to submit to some competitions and anthologies over the summer. It’s been a while since I put anything out on submission, so it’s time to get back into it.

Image from Pexels.

Book Six

Those who watched me on Noir at the Bar will have heard me mention my next project, the as yet untitled book number six. It’s very early days but I have started researching for this book, a historical mystery novel set in late Georgian Edinburgh. The idea for this book was borne out of a short story I wrote for my Open University course, and I’m really excited to get started on it! I will keep you all updated…

Image from Wiki Commons.

In Remote Parts

It’s been quite some time since I last blogged – far longer than I intended! I think it’s fair to say that it’s been a busy summer with plenty of fun, travels to new places, new experiences, a little bit of sun and the odd ounce of relaxation here and there. Over the past few weeks I’ve quite literally been living in remote parts, soaking up the wonders of the Scottish Western Isles and visiting some of its far-flung treasures. In short, folks, it’s been wonderful.

The Isle of Mingulay in the Outer Hebrides

The holidays are the perfect time to catch up on some reading, and I have read some fabulous fiction over the past couple of months. As ever my reading list was eclectic, with everything from historical fiction, to crime, to horror. My favourite summer reads were Elizabeth Macneal’s The Doll Factory, Kaite Welsh’s The Unquiet Heart, Peter May’s Lewis Trilogy and Campbell Hart’s The Rocking Stone.

I’ve also managed to fit in a fair amount of activity on the writing front. The House at Kirtlebeck End has been edited, polished up and sent off to agents/publishers, so now the wait begins for their replies and I will take things from there as regards my fifth novel’s journey to publication. While I wait, I’ve started researching for my next novel. I’m planning to return to historical fiction for novel no.6, with a story about a very famous and very influential Enlightenment figure, focusing on a lesser-known (and less talked about) aspect of his life. It’s early days, so that I think that’s enough said about that for now…

August 2019 also marked the first anniversary of the release of The Pendle Witch Girl. I can’t believe it’s been a year already since the third installment of my Witches of Pendle series was published. I also can’t believe, and couldn’t be more proud of the success the book has enjoyed. Indeed, the Witches of Pendle trilogy has gone from strength to strength over these past few years, exceeding any expectations I had when I hit the ‘publish’ button on The Gisburn Witch four years ago. Thank you once again to those of you who have read the books, have recommended them to friends, or have rated and/or reviewed them on Goodreads, Amazon, or anywhere else. It really does make a difference.

The Pendle Witch Girl release day advert – happy memories!

Summer is almost over, but I’m looking forward to an Autumn filled with good books, lots of research, an adventure or two, and who knows, maybe an email which will brighten my day!

An Accidental Week

Happy Saturday! For me at least, it’s been something of a long week, but by no means an uneventful one. It’s also been a bit unlucky. Over the last seven days I’ve managed to hit myself in the face with an I pad resulting in a bit of a colourful right cheekbone (thank goodness for make up), and I’ve got yet another cold which has caused laryngitis. Yesterday evening I lost my voice completely; thankfully my voice seems to be coming back now but squeaking at my family is far from ideal!

Fortunately, my bad luck hasn’t affected my writing, which has been progressing well. This week I hit 65,000 words in my first draft of The House at Kirtlebeck End. I shared this teaser extract on social media:

I hope this has you intrigued! I’m really excited about this book and the more I write, the more I can’t wait to share it with you. I aim to have the first draft finished in the next couple of months.

I also took some time to catch up on how my other books are doing, and noticed that The Gisburn Witch has a new review on Amazon UK. It was lovely to see that a reader has given it five stars and left some really positive comments about the book. It’s no exaggeration to say that good reviews really do make my day.

The Pendle Witch Trials have been getting quite a lot of attention again, generated by big new releases in the literary world such as Stacey Halls’ The Familiars, and television shows such as Channel 5 (UK)’s Digging Up Britain’s Past. I have finally found some time to catch up with this series and watch the episode about the Pendle witches. The episode focused on an archaeological dig to try to locate the remains of the lost Malkin Tower, home of the Device family. I won’t spoil it by telling you if they were successful or not, but it is good to see that after hundreds of years this tragic tale is still attracting interest and attention. If you want to find out more about the TV show, check out the review on the Radio Times website.

I hope you all have a lovely weekend – I’m off to try and get The House at Kirtlebeck End up to 70,000 words before Sunday night! It’s all about setting goals…!

 

Getting off to a good start…

Happy new year! After a lovely festive break I have finally persuaded myself back into the writing room to get on with some writing, and some blogging. At the end of last year I promised you a post on my 2019 goals, and as this is the first post of the new year, setting out my targets for the months ahead seems like a good place to start.

So, let’s get on with it, shall we?

Goal 1 – Finish writing The House at Kirtlebeck End: I’ve mentioned previously on my blog that progress on my new contemporary novel has been a wee bit slow. However, I ended 2018 with it roughly half-written and have made completing it my top priority for 2019.

Goal 2 – Submit The House at Kirtlebeck End to agents/publishers: Well, what have I got to lose? Having been through the querying process before with a couple of my other books, I know that this can take some time. Nonetheless, I believe in this book and its ability to have a broad appeal, and so I owe it to myself and my work to give it the best possible chance of success. And, if it doesn’t get picked up, I can of course publish it myself.

Goal 3 – Research my next historical novel: I’m in the early stages of doing this, having tentatively decided to try my hand at writing about Jane Welsh Carlyle, wife of the nineteenth century Scottish novelist and historian Thomas Carlyle. It’s early days but I would like to have completed my research by the end of the year so that I can begin writing in 2020. Besides, research will keep me busy while I patiently await replies for Goal 2…

Goal 4 – Keep writing and submitting to magazines/journals: I’m keen to build on last year’s successes here, and so will keep writing shorter pieces whenever the mood takes me.

And there you have it. 2019’s goals are, I believe, perfectly achievable but even so, writing and researching is time-consuming and therefore I am going to need to stay focused. With this in mind, I have decided not to set myself a marketing-related goal this year. The past few years have taught me that marketing and book promotion, whilst useful, can be a real draw on an author’s time and energies, and I simply don’t have time to do everything. That’s not to say I won’t still be blogging or posting on social media, but inevitably there will be less promo activity from me. So please, in 2019 more than ever before, if you enjoy one of my books then tell a friend, write a review, share a post, retweet me! Organic reach and good old fashioned recommendations will be more vital for me than ever 😉

In 2018 I did pretty well with my goals, achieving most and getting them all at least underway. Hopefully I can do the same in 2019. Now, back to the writing den I go – The House at Kirtlebeck End isn’t going to write itself…